dMIRROR is a site-specific art piece that celebrates the dynamism and technical sophistication of BMW automobiles. The technical innovation is a grid of hundreds of programmable mirror elements that electronically morph from an opaque to a reflective state generating dynamic reflections of the show cars.

The airFIELD is a dynamic sculpture synced to real-time flight data reflecting the heartbeat of the world’s busiest air travel hub, the Hartsfield-Jackson Atlanta International Airport. Suspended in the center of the new International terminal, the 90’ long and 30’ wide (27.4m x 9.1m) data-driven art piece with two intersecting sweeping forms evokes the wonder of flight.

eCloud is a dynamic sculpture inspired by the volume and behavior of an idealized cloud. Clouds are ephemeral and in perpetual transformation, their abstract shapes are constantly teasing the mind of the observer to ‘see’ and interpret. Clouds focus our attention to the sky and connect us to our fascination with flying.

Between Grass & Sky is a joint exhibition presented at the Nevada Museum of Art in Reno and at the Western Folklore Center in Elko on the occasion of the 25th anniversary of the National Cowboy Poetry Gathering held annually in northern Nevada.

When the co-founder of Wired Magazine teamed up with an ex NASA engineer to create a new chocolate brand from scratch, they imagined a high tech factory inside a historic warehouse in the harbor on San Francisco’s Embarcadero promenade. UEBERSEE was hired to envision an engaging factory and retail experience that encapsulates the irreverent start-up spirit of the inventors of New American Chocolate.

We created an exhibition that felt more like an open-ended experiment and a discussion about the future, than a static record of the past. Taking a radical approach to staging the projects, we used large amounts of fabric to transform the 16,000 square foot space into a dramatic showcase of architecture and ideas while addressing lighting, visitor flow, storytelling and experience with a minimum of moves.

Home to forward thinking institutions like Cal tech, Art Center, and Jet Propulsion Laboratories, Pasadena decided to redevelop the former industrial district, and invited an artistic gesture to create a symbolic gateway to the area.

Following the illumination-principle of their tall siblings, these solar-powered and self-sustaining light units will be embedded in the surface of the pedestrian sidewalks of the area; the pattern is the new Innovation Corridor symbol.

midtownBEACON is a 110 feet tall structure that marks the revival of Midtown Crossing as the intersection of 3 primary pathways: the boulevards Venice, Pico and San Vicente. The minimalist sculpture reaches skyward in a gesture of aspiration, marking the geographical center of the L.A. basin.

The Swiss Expo is the country’s national exhibition on issues of contemporary life and the future of science and technology. A celebration that lasts for 100 days and happens only once every generation. The client briefing arrived just nine months before the opening of the Expo.02: create a space that will make people want to ‘go out and live their life more fully’. A suitable brief for a company that sells life insurance. Building a house of happiness, produced in nine moths‚ enjoyed by 1.3 million visitors.

With the growing popularity of the Autostadt, a visitor attraction surrounding the Volkswagen factory in Wolfsburg, VW realized that all these visitors had kids, and kids don’t drive (yet).

Wall AG is Germany’s biggest producer of urban street furniture. Designing and building custom systems in cooperation with high profile architects and engineers, they are the most prestigious and innovative company in their field.

Because Bertelsmann was the biggest media corporation that few had ever heard of, the World Expo 2000 was taken as the opportunity to introduce the public to their important role in mass media. The goal was to create an experience that would draw people into the world of media and educate them about the Bertelsmann brand at every touch point. Welcome to Planet M.

This inaugural project put Triad Berlin on the map of the agency world: a self-generated exhibition with a paying audience of over 540,000 visitors in two seasons. The topic: television in past, present, future. The audience: everyone. The location: Gasometer Oberhausen, 50,000 square feet of exhibition with a soaring 300 foot ceiling transforming an industrial icon.